Tuesday, July 25, 2023

Artist Interview: Cecelia Comito, Artworks Studio

I met Cecelia Comito the very first time I walked into Artworks Studio, located downtown on Adams Street in Carroll, IA. I was not only blown away by the store, but instantly envious of the studio space in the back, and as an added bonus got to meet another one of my people. It’s such an amazing feeling, meeting one of your people, when you just feel a connection, an energy, an understanding. You know they are one of your tribe, cut from the same fabric, and thousands of other metaphors that describe the way you just click with each other. Comito is definitely one of my people.

Comito describes herself as a mixed media artist. She creates her artwork with a variety of items and mediums.  “My current art passion is creating paintings that celebrate the beauty of Iowa and the Midwest,” Comito said, “Particularly the nostalgia of growing up in a small town in the 1970s. My paintings reflect that time – laundry on the clothesline, hollyhocks in Grandma’s garden, pink peonies, poppies, bright wildflowers, bikes abandoned in the front lawn.  I also love painting old houses and barns, and of course, pigs, cows, chickens, and birds.”

“Life was so different then.  I grew up with benign neglect – and it was amazing.  As long as I told Mom where I was going, who I was going to be with, and came home at the designated time, it was all cool.“ 

“Some Pig” 12”x12” mixed media collage

After graduating from college and law school, Comito moved East and lived in large, urban cities (Philadelphia, Chicago, and Washington, D.C.) for many years. “After nearly 30 years, I moved back to Iowa to join my sister Laura’s studio, Artworks Studio in Carroll,” Comito said. “Jury is still out on that decision – but it has been great for my art and self-esteem as an artist.”

Her favorite medium to use is mixed media, which gives her the freedom to use whatever materials she wants! “It lets me play with all sorts of media, including gelli plate printing, watercolor, acrylic, pencil, pastel – you name it, I can work it into a mixed media painting,” she said. “I also like using papers or other items that would have ended up in the land fill – like old book pages, magazines, handwritten letters, etc. I use the backside of copies that would have otherwise been sent to the recycle bin for my gelli printing.  I love finding pads of old ledger paper or receipt books.  Some of my favorite papers are from an old Carroll County Abstract Book from the early 1900s.”

“Autumn Harvest” 24”x18” mixed media collage

Comito does more than just create her own art, she also teaches a variety of classes at Artworks Studio! “I have taught acrylic painting, fused glass, mixed media collage, and watercolor.  I have done one-on-one classes, where someone wants to learn more about acrylics or watercolor.” It makes sense that she’s a mixed media artist when she has experience working with so many different mediums! 

I gotta get me one of these!

I love asking artists what their favorite tool is for making art – to date, I’ve not had anyone mention the same thing twice! Comito’s answer? “I love the color shaper.  What an amazing, handy little tool.  It’s great for smoothing down papers onto a canvas or board, applying paint, making marks.  So glad I discovered this handy little tool.”

I also always ask “what’s an issue or stumbling block you’ve encountered?” because let’s be honest, each artist’s journey is unique. Comito’s answer is one I struggle with as well. “I suffer from imposter syndrome,” she said. “I am not a trained artist. I never went to art school.  I took classes here and there, worked with some amazing artists like Laura Comito, Ed Hinkley (Chicago artist), and Kellie Day (Colorado artist).  I worry about whether I am “original” enough or have “important” things to say in my art.  You see so much about the tortured, starving artist – and I am not that person.” 

“I also worry that I am too old to embark on an art career – I started dabbling in art after my mother died when I was in my late 30s.  Twenty years later, I am still dabbling.” Nonsense! Anyone, at any age, can be an artist! Bob Ross believed it and I do too. There’s been a number of artists who have become famous (not that fame is the only measure of success) for their artwork in their 50s, 60s, 70s, and even 100s!

“So often, people come into the Studio and say, “I wish I could paint or draw, but I can’t even draw a straight line.”  Guess what? I can’t either – that’s what rulers are for.  Drawing is like learning to read, play the piano, dance, play a sport, write, cook or do math.  Just like you had no idea how to do a plie before your fist ballet lesson, you have to learn the techniques that go with art.  When I signed up for that first basic drawing class I had no formal experience with drawing – I just wanted to learn the basics and see if it was something I wanted to pursue.”

"Joy” 18”x18” mixed media collage

“Finally, once you embark on a creative endeavor, don’t listen to anyone who starts out their comments on your art with “I don’t like…” or “Your [perspective, colors, shadows] are wrong…” or any other negative comment.  I don’t care how long the person has been studying art, there is always something positive to say about every work of art.” Absolutely! There’s a big difference between constructive criticism and figuratively tearing a piece apart. 

“I recently participated in an art show in which half of the paintings submitted received some sort of ribbon and every artist, except for me, received a ribbon of some sort.  My three mixed media paintings – the only ones in show – received no recognition from the “distinguished” judge – a retired art teacher from Drake. As I listened to his comments on the 24 paintings that received ribbons, I realized that he had nothing to offer me. The judge was of the school that mixed media is not “real” art.  My paintings bring me joy and that is all that matters.”

My favorite thing about art is that it is subjective. Everyone is an expert in what kind of art appeals to them. The downside to that? Art is subjective! Not every type of art appeals to everyone. That doesn’t mean, however, that it’s not still “real” or valid art.

When I asked Comito if she had any advice for artists starting out, she crossed out the word “artists” before answering. So, any advice for anyone starting out?

“I have always had the desire to be creative. But I was so good at so many left brain activities (little confession here: I’m a recovering attorney), so I never pursued art.  When I finally decided to take the plunge, my sister, Melanie, who is an incredible artist when she isn’t being a doctor, suggested I take a basic drawing class to get a sense of line, perspective, composition, the basics.  With that foundation, painting would not be frustrating.  It was great advice and I signed up for a 8-week adult drawing class at the Chicago Art Institute. For me, given my left brain, analytical tendencies, I needed a weekly class commitment to motivate me to draw.  If left to my own devices I would not have kept at it.”

“Haunted Goat Barn” 6”x6” mixed media collage

“All this is a long way of saying, when you decide you want to pursue a creative outlet – drawing, painting, mixed media, weaving, etc. – make a commitment to yourself to use your medium of choice on some regular basis – whether it’s every day, once or twice a week, whatever.  Art is like exercising or eating healthy – you have to make it a part of your routine or it won’t happen.“

“Finally, embrace who you are.  If you are a methodical, analytical person, you can still be creative and pursue art.  You’re just going to go at it differently from someone who is less organized.  If you want to see a study in contrasts of artists and approaches, just stop by Artworks Studio and watch Laura and I work in the Studio.  (By the way, Laura is the real artist; I’m just a dabbler.)“

“Red Tractor” 12”x12” mixed media collage

Comito just completed a solo show at the Bakery on Broadway in Audubon. “Being selected to show my paintings at the Audubon bakery was amazing. I met so many interesting people and sold lots of paintings! The Bakery is an amazing place. They serve coffee drinks, baked goods, breakfast and lunch sandwiches, plus have a quirky little retail space in front. It is worth a visit.” Comito is scheduled for an exhibition of her artwork at Arts on Grand in Spencer from May-June 2024!

In addition to seeing Comito’s artwork (and meeting her in person!) at Artworks Studio in Carroll, IA, she has paintings available at Arts on Grand in Spencer. You can view her art online at http://www.ceceliacomitoart.com or on social media on Facebook and Instagram.

Tuesday, July 11, 2023

A Difference Between Amateurs and Professionals

There's a quote in the art world (though it could apply to many more fields) that says, "Amateurs look for inspiration - the rest of us just show up and get to work."  (Chuck Close)  

Any artist can tell you how intimidating a blank page or canvas can be. We have all been there, staring at endless possibilities, sweating because we don't know where to start. I've spent hours of my life frozen in fear that what I put down won't be good enough. My sketchbooks are full of incomplete pages because the art just wasn't “flowing.”


Creative work can be so fickle!

But now that I've been drawing regularly for so many years, I've honed my skills to a point (pun intended) where I can sit down and create without divine inspiration.  How? Having a sketchbook helps. The videos of artists flipping thru pages of fully rendered images in their sketchbooks are so cool, but like many things on the internet those videos are for entertainment. Most sketchbooks don't look like that. I throw scribbles, words and phrases, song titles, notes, and whatever else I come across into mine to be used for future reference. I record my inspiration in my sketchbook to tap into later on. 

Then when it comes time to work, I can look at my sketches and let my technical skills take over. I don't know exactly when I got to this level, it's been a long and extremely gradual road to get here. And I'm not done yet, either. There's so much more to learn and many more years of practice left for me to do. So I guess I'd better get back to work, because this art isn’t going to create itself!

I used to joke that only myself and 3-year-olds could understand my sketches.

This doesn’t just apply to drawing and painting, though. When I was in college earning my photography degree, I’d take hundreds of photographs in a few hours. I remember one afternoon I took around 1,000 photographs in about four hours. I was aiming for quantity over quality, and relying on my editing skills (which I developed years before I learned how to take a good photo) to “make” the photos good later on. Hey, as long as it’s in focus I can make something of it, right? In reality, all it did was separate me from the event I was at (I was watching it all through a tiny screen, instead of experiencing it firsthand) and causing me hours of extra work later on.

Ugh, it was exhausting! Sorting through thousands of photos followed by spending hours cropping and editing, it was overwhelming! I’ll also admit here that my photography got exponentially better AFTER I graduated when I finally started putting those skills into practice. When I see a subject now, I work out the framing, lighting, and focus all before clicking the button. My post-production editing consists of minor touchups, maybe a slight crop, removing some powerlines, adjusting the white balance… It’s so much easier once you just know the correct steps to take.

So how do you get to that point in your own artistic journey? Friends, the answer is simple (not to be confused with easy!) It’s practice! I’ve said it before, but my man Bob Ross hit the nail on the head. Anybody can be an artist. All it takes is dedication and practice. Here’s a whole post I wrote about it, called Being an Artist: A Pep Talk!

There are many differences between amateurs and professional artists, and I’m sure I’ll be writing more posts about it in the future (like the struggle of pricing/valuing your own work.) But in this case, waiting for a lightning bolt of inspiration to strike in order to create is a waste of time! You could be creating so much artwork in the meantime – and yes, even making bad art is something to celebrate! Why? Because making bad art is all part of the learning process. Asking yourself what works in a good piece and doesn’t work in a bad piece is essential research and evaluation. Plus, with many mediums you can rework a “bad” piece. Ugly painting? Paint over it! Hot mess of a collage? Tear it apart and remake it better! But don’t give up. Even if the inspiration isn’t striking you just right, roll up your sleeves and get to work. Put in the time and practice. That’s how amateurs become professionals. 😉